How To Use Trochee In A Sentence
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With a polished iamb, trochee, dactyl, amphibrach and anapest.
Archive 2009-06-01
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It is a decasyllabic line, with a trochee substituted for an iambus in the third foot — Around: me gleamed: many a: bright se: pulchre.
The Complete Poetical Works of Percy Bysshe Shelley
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A poet, of all men, should cherish the liquid consonants, and should resist the tendency of the populace to make trochees of all dissyllables.
The Atlantic Monthly, Volume 13, No. 77, March, 1864
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In poetry, Choriambi are never used alone, but always combined with other metrical 'feet' such as spondees, trochees and dactyls.
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The first line, for example, appears to begin with two unstressed syllables followed by two stressed ones, while the second line unquestionably contains a trochee and an iamb and therefore forms a choriambic foot.
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It has one stress, which falls on the only syllable, if there is only one, if there are more, then scanning as above, on the first, and so gives rise to four sorts of feet, a monosyllable and the so-called accentual Trochee, Dactyl, and the First Paeon.
Author’s Preface
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Of course the 'trochee trochee dactyl trochee trochee pattern is only the vaguest approximation of quantitative metrics, but it nonetheless imposes (lyrical or playful) exigencies on the language of the poem that lead, in the best of cases, to discovery, directions to the poem unexpected even to the poet.
Anis Shivani: Poetry As a Bridge Across Cultures: Anis Shivani Interviews Marilyn Hacker
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He should take care not to rely on the first foot of any line, because, as has been before observed, that is often a trochee even in the parisyllabic verse.
Miscellany
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The chapter then proceeds to consider the four most common metrical patterns: in relative order of importance, the iambic, the anapest, the trochee and the dactyl.
THE PROSODY HANDBOOK: A GUIDE TO POETIC FORM by ROBERT BEUM & KARL SHAPIRO
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But he calls a trochee, which occupies the same time as a choreus, [Greek: kordax], because its contracted and brief character is devoid of dignity.
The Orations of Marcus Tullius Cicero, Volume 4
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In parisyllabic verse, when a trochee begins the verse, he will pronounce that foot wrong.
Miscellany
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- Mark iambics, iambs, trochees, phyiries, spondees, choriambs, cesura, elision Does anyone have any good / interesting ideas or plots lines for a short story? en Español
Yahoo! Answers: Latest Questions
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The following is a specimen of the parisyllabic verse, wherein the instances of this trochee beginning the verse are noted:
Miscellany
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The ultimate purpose of the poem is not to list the queen's virtues but to praise them; the exhortation in the opening ‘Praisd be’ is further emphasized by insistent anaphora and repeated trochees in the first seven lines.
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So I know if the language has iambs or trochees, right from the start.
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Southey agrees, however, that the foot before the final trochee should always be a dactyl.
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If this is done there will be in common English verse only two possible feetthe so-called accentual Trochee and Dactyl, and correspondingly only two possible uniform rhythms, the so-called Trochaic and Dactylic.
Author’s Preface
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He could make Greek iambics, and doubted whether the bishop knew the difference between an iambus and a trochee.
The Last Chronicle of Barset
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His formula for modern heroic verse, proclaimed up front in the essay, was, in short: more dactyls than trochees, and more trochees than spondees.
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The term catalectic means the meter is short the final syllable (tongue would have to be tonguey to complete the trochee), and acatalectic means it is complete.
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We hear iambs, trochees, Virgil's hexameters, the Norse alliterative lines, each arranged in their various couplets, quatrains, choric stanzas, gnomic verses, and much more besides.
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The metre is the trochaic tetrameter, which is always well suited to the Latin language, and which here appears treated with Greek strictness, except that in lines 55, 62, 91, a spondee is used in the fifth foot instead of a trochee.
The History of Roman Literature From the earliest period to the death of Marcus Aurelius
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The most usual skaldic metre is ‘dróttkvaett ’, a strophe which consists of eight six-syllable lines, each ending in a trochee.
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He points out that bacchiacs, common in other plays, are rare here, and so are anapaests, and considers this to be because they are by nature slow, compared with the faster cretics and trochees, and it is true that this play (for whatever reason) does move at a great pace.
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And the initial anapestic foot of the second line seems to slide down after the discovery in the first line that not trochees but iambs are afoot.
The Poet Thomas Hardy « Unknowing
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A trochee is a metrical foot of two syllables, the first long and the second short.
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The singers have been induced to make their own selections, and put forward, as Mr. Browning says, their best foot, anapaest or trochee, or whatever it may be.
Letters on Literature
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In order to deal with English verse, you need to talk about only five feet: the iambus, the trochee, the anapaest, the dactyl, and the spondee.
The Strange Case of Pushkin and Nabokov
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A trochee is a metrical foot of two syllables, the first long and the second short.
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In order to deal with English verse, you need to talk about only five feet: the iambus, the trochee, the anapaest, the dactyl, and the spondee.
The Strange Case of Pushkin and Nabokov
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English verse only two possible feet -- the so-called accentual Trochee and Dactyl, and correspondingly only two possible uniform rhythms, the so-called
Poems of Gerard Manley Hopkins Now First Published
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Fanniae of our day to talk of varying the trochee with the iambus, or of resolving either into the tribrach.
Famous Reviews
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We hear iambs, trochees, Virgil's hexameters, the Norse alliterative lines, each arranged in their various couplets, quatrains, choric stanzas, gnomic verses, and much more besides.
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His formula for modern heroic verse, proclaimed up front in the essay, was, in short: more dactyls than trochees, and more trochees than spondees.
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This is matched by the metre where, however, intricate use of trochees and dactyls gives a song-like quality to the verse.
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With a polished iamb, trochee, dactyl, amphibrach and anapest.
Archive 2009-06-01
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We hear iambs, trochees, Virgil's hexameters, the Norse alliterative lines, each arranged in their various couplets, quatrains, choric stanzas, gnomic verses, and much more besides.
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Only a short time ago, such a call would have been greeted with bewildered questions about what exactly anapests, sapphics, trochees, cretics, dactyls, amphibrachs (my favorite), and alcaics were.
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You can change an initial trochee to an iamb by adding an “And” or an “O.”
THE ANTHOLOGIST
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Yet trochees are actually in a minority here: the first and third line of each stanza is composed of a trochee and two iambs, while the second and fourth are composed of a trochee and an amphibrach.
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A trochee is a metrical foot of two syllables, the first long and the second short.
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Although not one line of iambic hexameter appears, lines sometimes begin with a trochee or spondee or two, drift gently toward an iambic norm, and then depart from it.
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A trochee is a metrical foot of two syllables, the first long and the second short.
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If the first two syllables be regarded as anacrusis, the first line would be trochaic, with a dactyl substituted for a trochee in the second foot.
The Principles of English Versification