How To Use Neruda In A Sentence
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Neruda is master of a living world in turmoil, and his expression is at times scarcely more than a sibylline stammer, a primitive muttering.
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The opera retains much of the film's dialogue while adding love music for Neruda and his wife, Matilde (Cristina Gallardo-Domas, who is Chilean, looking and sounding exquisite); a buffo-style tenor duet for Neruda and the simple postman Mario (Charles Castronovo), who gradually comes to worship him; and a couple of Neruda's poems, which make perfect arias.
Domingo's tenor lifts respectable, but too literal, 'Il Postino' by Daniel Catán
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Neruda, he said, would like to extol the virtues of his fatherland for all nations to see while Sitor seems to be a cosmopolite still weighed down by the legacy of his ancestors.
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Neruda's dialectical way of thinking can be appreciated in the internal structural relations in the poems.
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Neruda repeatedly spoke for persecuted writers, including, or especially, those with whom he disagreed.
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But as any reader of the odes can attest, Neruda's incredible use of metaphor, simile and synecdoche, among other poetic techniques frequently confronts the reader unprepared, jolted by the sudden flash of creative spontaneity.
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For instance, we can hear Copland-esque rhythmic jauntiness in mailman Mario's funny exchanges with Neruda and out-takes of Britten's Peter Grimes to indicate foreboding, and even hints of Stravinsky's Symphony of Psalms in some choral passages.
Donna Perlmutter: Postino and Figaro: Underclass Heroes Who Usher in L.A. Opera's 25th Season
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Neruda: Happy despairing "you like my soul, in an my dream butterfly, you are similar to the melancholy this word.
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Distinct from the European surrealist writers, who were concerned with distillation of dreams, Neruda harnessed the natural world.
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Appointed a Chilean consul, Neruda went first to Barcelona and then to Madrid in 1935.
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He remembers a line Mariah used to quote from a poem by Pablo Neruda.
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When Domingo sang Neruda's famous love sonnet "Mañana XXVII," a poetic evocation of his naked beloved, he disrobed Gallardo-Domas to the waist (so much for figurative speech).
Domingo's tenor lifts respectable, but too literal, 'Il Postino' by Daniel Catán
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The Neruda poems are of course quite wonderful, but I probably never would have encountered them if my eye had not been caught that day by the understated but elegant drawing of a saltcellar on the cover.
Archive 2007-02-01
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To cover up the publication of his first poem, he took the pen name Pablo Neruda.
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Deja que el viento corra/coronado de espuma" — Pablo Neruda. would make a pretty good stench I bet, a good thick fog, but it wouldn't begin to cover up this pain I have for you.
Three Poems, One for Each Eye
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In all these collections, Neruda turns to a simple style and colloquial language to talk about objects of everyday life.
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Mr. Hernandez's monochromatic costumes were 1950s-style, with the plain garb of the villagers contrasting with the cosmopolitan clothes of Neruda and his wife, Matilde, and Di Cosimo's natty, attention-getting white suit.
When Postman and Poet Meet
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Taking its title from a Pablo Neruda poem, the album's relationship to poetry is inextricable.
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Neruda's faith in the power of poetry was not because he wrote thousands of verses but because his poetry held meaning for the most common and ordinary people.
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We hire a car and drive down the coast to Isla Negra, one of the homes of Chile's most famous poet, Pablo Neruda.
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Alongside works by Pablo Neruda and Ko Un are poems drawn from Estonian, Hebrew, Catalan, Swedish Eeva-Liisa Manner's shivery "The trees are bare. . ." in which "Autumn / leads its fog-horses to the river", all of them unknown, all demanding further investigation.
Being Human, edited by Neil Astley – review
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Neruda's incredible use of metaphor, simile and synecdoche, among other poetic techniques, frequently confronts the reader unprepared, jolted by the sudden flash of creative spontaneity.
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Otherwise, how are we to explain Neruda's fervent and impassioned commitment to the working class?
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Perhaps Neruda's most endearing quality, aside from his self-professed likeness to a tapir, was his respect for poetry as an occupation.
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Endre Farkas' invitation to celebrate literary lion Pablo Neruda's 100th birthday inspired a series of performative prose-poem vignettes, Proem Cards From Chile.
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Back in college, we read Kolatkar in dhabas and cafes the way I imagine another generation elsewhere must have read Lorca and Neruda.
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Neruda called the site "high city of laddered stone / finally resident of what is earthly" in perhaps his fine poem, "Alturos de Macchu Picchu." 140 stone structures comprise the site, along with terraced outcroppings for farming irrigated by an intricate system of fountains and aqueducts fed by underground springs.
Meg Waite Clayton: Exploring Machu Picchu 100 Years After Hiram Bingham
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With its colourful houses, street cafes and lively nightlife, the area is best-known as a hangout for students and a stop-off for those visiting the city pad of the poet Pablo Neruda, which is kept shipshape (literally), just as he and his third wife left it.
Santiago: chill out in Chile's capital
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Indeed, before entering the first of two main spaces devoted to the exhibit, you encounter five 1968 lithographs inspired by the poet Pablo Neruda's epic work, "Canto General," an all-embracing distillation of Latin American history, geography and culture.
Siqueiros in Unfamiliar Terrain
