How To Use voice part In A Sentence
- As all this occurs, his narrative voice partakes in dizzying peregrinations into alliteration and poetic eloquence as he discusses the failure of language in doing justice to the comic's visuals.
- For the most part, the vocal ranges are narrow and would be suitable for all voice parts.
- There are two distinct textures for the polyphonic works: a “discant” style, in which the two voice parts generally move together (as in the conductus and the Benedicamus tropes), and an “organal” style in which the upper voice part sings a rhapsodic melody against the long-held notes of a lower tenor voice based on a liturgical chant (as in adiutor an the tropped Kyrie: Cunctipotens). Archive 2009-04-01
- The mixed voice parts chorus without accompaniment is a form to perform multi-voice part vocal music works, which has been one of the most valuable expressions among various chorus forms for long.
- Secular models include both monophonic songs as in the vast Missa ‘Maria zart’, based on a German devotional song and voice parts extracted from polyphonic chansons. Archive 2009-05-01
- You could assign the voice parts to instruments and lose nothing, and the form would become even clearer.
- There are two distinct textures for the polyphonic works: a “discant” style, in which the two voice parts generally move together (as in the conductus and the Benedicamus tropes), and an “organal” style in which the upper voice part sings a rhapsodic melody against the long-held notes of a lower tenor voice based on a liturgical chant (as in adiutor an the tropped Kyrie: Cunctipotens). Archive 2009-04-01
- It acts in effect as a shorthand for reading the other orchestral and voice parts above the bass line and for playing the harmonies.
- At bars 143-45 of his anthem what appears to be a de facto tenor-register part, bearing the crucial cadential 4-3 suspension, is transmitted in the Durham organ part but is conspicuously absent from the extant voice parts.
- For example, in Schubert's Heidenröslein three verses, or strophes, are set to the same melody, with no alterations to the voice part or the piano accompaniment.
