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How To Use Viola da gamba In A Sentence

  • The fragile tone of lead viola da gamba player Mikko Perkola, so delicate as to be non-present at times, undermined some of the interesting pieces that featured two gamba parts. Review: Helsinki Baroque Orchestra at Library of Congress
  • Still, just to be on the safe side, the tuba, the xylophone, the viola da gamba and the virtually extinct tenor guitar make excellent choices in this area.
  • Rather than a mere continuo accompaniment, the soprano Karolina Gorgol was here supported by a luscious ensemble of three strings (no viola), theorbo and guitar, harpsichord and an obligato viola da gamba, played by Ibi Aziz.
  • A bizarre archaic instrument fancied by an Esterhazy prince Nikolaus, the baryton was like the six-string viola da gamba but with a chromatic octave's worth of extra strings that could be plucked by the thumb behind the fingerboard.
  • The ensembles and the label are each the responsibility of Mr. Savall, a trained cellist, who has turned a youthful curiosity about the viola da gamba — an antique stringed instrument combining aspects of the cello and guitar, alternatively known as the viol — into a pan-musical enterprise. Blurring Traditional Boundaries
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  • The sitter was a musical lady who sang and played the cittern, which she holds, and the viola da gamba, the instrument hanging in the background.
  • An early music specialist came to my college and we formed a "broken consort" of unlike instruments (lute, bandora, cittern, viola da gamba, and flute,) to rehearse and perform a concert of Elizabethan music. Shrimplate
  • Well, that's how I feel about Jordi Savall, who - he's a guy, actually, who's best known for playing this antiquated, old instrument called the viola da gamba, the precursor to our modern-day cello. Sacred Songs And DJs: New Classical CDs
  • The ensembles and the label are each the responsibility of Mr. Savall, a trained cellist, who has turned a youthful curiosity about the viola da gamba — an antique stringed instrument combining aspects of the cello and guitar, alternatively known as the viol — into a pan-musical enterprise. Blurring Traditional Boundaries
  • Gamba is Italian for leg and so a viola large enough to require support from the legs came to be known as a viola da gamba, or often today just gamba.
  • For instance, a viola da gamba is sort of cello, and a rebec is a kind of violin. The Golden Age of Publicity #7
  • The instrumental accompaniment is improvisatory, earthy and ingenious: lute, theorbo, guitar and harp continuo, plus up to a trio of violins, viola da gamba, a cornet and a gentle sprinkling of percussion.
  • Viola da gamba showcased in Pandolfo-Boysen concert at Library of Congress scroll down, by Charles T. Downey. Links: Weekend roundup -- Butterfly, Tahiti, Schubert, and more
  • And No. 6 is a marvel, its dark hues never eclipsing the dancelike rhythms of the music and the fascinating interplay among viola, cello, viola da gamba and violone. On CD: Gardiner leads the Brandenburgs
  • A Baroque orchestra, he says, would have "20 violins, 10 cellos, 10 violas, but only one viola da gamba. Blurring Traditional Boundaries
  • After its 200 years of relative silence he has made the viola da gamba sing again. In praise of … Jordi Savall | Editorial
  • The singing had a bald accompaniment of an orchestra placed behind the scenes and consisting of a clavicembalo, or harpsichord, a viola da gamba, a theorbo, or large lute, and a flute, the last being used to imitate Pan-pipes in the hands of one of the characters. For Every Music Lover A Series of Practical Essays on Music
  • Yukio and Pete tuned the viola da gamba and cello to the harpsichord, then Nikki joined in on the Alto recorder.
  • The girls are playing appropriate instruments of the period, such as the viola da gamba, cittern, dulcimer, rebec, clarion, viola d'amore and virginal, but their brand of beauty is strictly 20th century. The Golden Age of Publicity #7
  • As a large-scale transcription of a movement from a viola da gamba sonata, Alissa Firsova's Allegro was a bright and multicoloured piece that attracted attention through its command of instruments used in breeze-block manner – sharply defined, if not exactly subtle. Proms 38 & 39: Bach Day

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