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How To Use Typeface In A Sentence

  • Again, one file change can put a little red nose next to all of your headers, turn the text red and even make them display in a silly typeface.
  • As I entered, checked and rechecked the titles and names, my main concern was spelling and correct typeface and color.
  • Baskerville gave his name to the roman typefaces based on his designs in current usage.
  • They use contrastive typefaces for distinct purposes, such as bold-face type for headwords, roman for definitions, italics for abbreviated codes and specimen words and phrases, and small capitals for cross-references.
  • Aside from a change in typeface in the logo in 1961 onwards to a condensed version of Times New Roman, the sequence stayed the same until 1964 when the shot of Archie Street from the front was replaced by an opening clip of rows of terraced houses. First Look: Coronation Street’s New 2010 HD Main Title, Retrospective « Art & Business of Motion
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  • These codes are built into the system and control default fonts, typefaces, sizes and column measures.
  • That horror films are mainstream in cinema is now a given, and whatever cul-de-sac horror literature finds itself in is the one its publishers put it in by swaddling it all in shiny black covers, adorned with skulls and snakes and rats and typefaces dripping blood … GR5: The Birthing House by Christopher Ransom « In The Gloaming Podcasts
  • If a certain typeface or a certain motif is considered inappropriate because it looks unprofessional, no professional artist/designer would use them. More on covers
  • Firstly(Sentencedict), the digital character is processed by mathematics morphology for its special typeface structure.
  • Its serial number was laser-etched on the back in the smallest, daintiest typeface, instead of being on a tacky-looking sticker. Times, Sunday Times
  • In typography, a slab serif (also called mechanistic, square serif or Egyptian) typeface is a type of serif typeface characterized by thick, block-like serifs. Teddy-risation™
  • There are many ways to go about spacing typefaces and this isn't meant to be definitive.
  • The bold typeface is a brilliant orchid color, the model facing full-on in a way not seen in US covers very often, the sense of wild times. Vampirewire.blogspot.com: US & FOREIGN BOOK COVERS | Open Society Book Club Discussions and Reviews
  • When designing a typeface suitable for television display, all of these factors have to be accounted for.
  • These include the gold swash, the typeface and its deep crimson color which I still need to finetune the letterspacing for. Summer 2003 | the blog of author, illustrator and designer Kris Waldherr
  • The typography and choice of typefaces is entirely different, and Pratt may have used a different job printer for his stationery.
  • The above is a marriage of a few of my most hated things: that typeface, novelty hair bobbles, dumb photos taken on the laps of costumed characters, and that spaced-out rainbow jumpsuit.
  • The line length gives some formatting problems, requiring the use of a small typeface if there are to be no unplanned line breaks.
  • Also, although the wording remained the same, the typefaces and layout were changed slightly.
  • A : Okay, what if I want to change the typeface?
  • typography.css –A typography CSS file can define your typefaces, sizes, leading, kerning, and possibly even color.
  • A revolution in typeface design has led to everything from more-legible newspapers and cell-phone displays to extra-tacky wedding invitations. What's in a Font?
  • There was clear, deceptively simple typography in a uniform typeface and a single strong image, often truncated for effect.
  • ‘I would trace the gothic typeface of The New York Times banner head, [and] practice the copperplate script that adorns wedding invitations with felt markers and ballpoint pens,’ he recalls.
  • As each individual story unfolds, we mark a shift into a distinguishing typeface.
  • It presents the results of research on surviving prints, based on a painstaking physical examination of the paper used, watermarks and typefaces.
  • Projected over several screens, the surtitles use different fonts, with a comic-book typeface for the larger-than-life characters.
  • If things look just a wee bit different, it's because I tweaked the typeface and size to make things slightly easier on my tired eyes.
  • The original version had serif numbering, although the typeface was later changed to a sans-serif style.
  • If you are (still) using a typewriter, it doesn't matter whether your work is typed in pica (10 characters per inch) or elite (12 per inch) typeface.
  • This book has an attractive look to it, with a legible typeface and good layout.
  • They should use a typeface designed specifically for screen display like Arial, Geneva, Verdana, or Georgia.
  • It consists of large, wall-painted versions of his witty or piquant statements, realised in a variety of typefaces and colours.
  • This book has an attractive look to it, with a legible typeface and good layout.
  • They use contrastive typefaces for distinct purposes, such as bold-face type for headwords, roman for definitions, italics for abbreviated codes and specimen words and phrases, and small capitals for cross-references.
  • Rogers lost out on the word "majuscule," which is a large-typeface, capital letter used in conjunction with smaller script in printing or writing. The Gazette-Enterprise: News
  • They had differently coloured typefaces, borders, a starburst filled with the word ‘victims’.
  • In fact a typeface may appear bigger with the use of contrast in color.
  • Criminally, some typefaces don't even include the interrobang.
  • You do, of course, realize that your new title’s typeface is the same as the title typeface on that old never-published zine cover drawing of mine that you have at Chez Ennead… :D Just Watched “Studio 60″
  • That style uses the traditional three periods (or, in proportional typefaces, one ellipsis mark) when a quotation is missing a phrase from within a sentence. Archive 2008-05-01
  • The typefaces for the text and the captions were obviously selected by a designer who knew what he or she was doing, and the production received careful treatment at the press and bindery.
  • More superficially, I like paperbacks, modern typefaces and striking covers, though I dare say I should attempt to retreat from my prejudice against anything written in a serif font in favour of more considered judgements on content.
  • It could mean better on-screen reading of newspaper Web sites, if different typefaces are designed specifically for electronic editions.
  • Throughout the latter half of the twentieth century, one of the most popular typefaces in the western world was Helvetica. It was developed by the Haas Foundry of Switzerland in the 1950s.
  • Tony Cenicola / The New York Times A brass linecasting matrix for the ampersand character in the Bookman typeface. Diner's Journal
  • Is it powerful to develop a typeface based on the letterforms taken from one's apartment signage?
  • A typeface named Bastard is typical of his often irreverent attitude to the industry of advertising and design.
  • During the next 500 years, many printers in many lands invented better presses, designed new typefaces, many of great beauty.
  • This typeface has been chosen for maximum legibility.
  • And, unsurprisingly, the packaging is equally gorgeous - an embossed gatefold CD sleeve complete with black disc envelope and postcard, as well as slightly skewed typeface setting.
  • I learned about serif and san serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great.
  • The x-height in proportion to the cap height can vary radically from one typeface to another.
  • The restaurant's polish and flair are reflected in "Eleven Madison Park: The Cookbook," a sleek white behemoth with a silver-gray typeface and luscious photographs by Francesco Tonelli. Modernism on a Fork
  • He brought out a dark, odd-shaped bottle bearing a label that looked at least a hundred years old, antiquated typeface, browning paper.
  • But another suspicious aspect to me was that it had been typed in "pica" typeface rather than the smaller "elite" typeface that was used in all the office letters that I had obtained from the Library archives.
  • The software allows you to choose from over twenty sorts of typeface.
  • The typeface has been chosen well and the use of lavender print in the word headings and margin notes makes this book a delight to read and to own.
  • Have the guidelines for the electronic environment been validated, or are they like the ‘truism’ that a typeface with serifs is more readable than one without them?
  • A virgule is closer to the vertical than a solidus, but usually one has to see them side by side in the same typeface to know the difference. Archive 2008-05-01
  • But when a graphic designer uses a typeface that is older than 30 years, it is dismissed as retro, nostalgia or emptiness.
  • Hofmann made his version by photocopying an old Bible and getting a printshop to make a set of typefaces for him.
  • The most distinctive element of the typeface is its enormous lower-case x-height.
  • Departments suited themselves about typefaces and headings.
  • It hadn't really occurred to me before that you could have serif, sans serif, modern and antique Korean typefaces before (because I'd never really thought about it) and I began to realise that I'd only ever seen 'foreign' type on documents intended for western audiences - hence Chinese, Japanese, Korean and Arabic always looked 'traditional' (the way 'ye olde' English is always rendered in illegible Germanic type, I suppose.) 'Modern' Arabic typefaces
  • Secondly, be prepared to experiment with other typeface libraries so long as the format they produce has compatible printer and screen fonts.
  • Originally it was proposed that the typeface be called Helvetia (Latin for Switzerland), but the designers didn't want to name it after a country, and so it was called Helvetica instead (which is Latin for Swiss). Boagworld recommends
  • Some retailers have only grudgingly implemented it, in some cases by using a typeface which is small enough to be unreadable.
  • Well-made typefaces are designed with consistent spacing in mind: between letters, words, sentences, and lines.
  • They objected to the purple colour scheme, the spiky typeface and the use of stars, and asked for a prominent disclaimer making it clear the book was not officially endorsed.
  • Use this key to toggle between the two typefaces.
  • The logic - unassailable, really - of using a single typeface family takes us back to unison plainsong.
  • Nearly all the department stores dumped their venerable typefaces for blocky san-serif fonts.
  • Text occupies a single column in a bastard typeface, while the title-page uses a mixture of bastard and roman type (the latter for Latin text), and of black and red lettering.
  • Back slant: Backward sloping typeface, i . e . opposite to italic.
  • The typeface he was working on was instantly recognisable, even to those with no interest in letterform. The history of the Times New Roman typeface
  • A different typeface and repositioning the letters to the bottom right portion, instead of having them centered.
  • Are there academic programs that specialize in typeface design.
  • The predominant new typeface is very old fashioned and the pages are cluttered.
  • Valuable commentaries are interpolated into the main text, using a slightly smaller typeface which took me a little time to adjust to (though vastly preferable to a mass of italic print).
  • Successful typefaces span radically different typesetting technologies, and often survive the companies that first published them. The Times Literary Supplement
  • (Typographically speaking, the term typeface refers to a stylistic rendition of each letter in an alphabet, whereas the font refers to the a specific rendering of these letters). CIO News
  • I finally found one that had the particular daisywheel for those of you who only know computers, the typeface for the typewriter I owned was mounted on a daisywheel...broken wheel meant no typing and confirmed that they would still be open by the time I drove the thirty miles to that store. Thanks to Bored in Vernal, I get to pretend that I'm famous
  • That is until I get the final few comments and see it in typeface layout, at which point I'll have hysterics and try to make it better all over again. Clone Wars 4 done and dusted!
  • Each volume is sewn and bound in full cloth and printed in a classic typeface on cream-wove, acid-free paper.
  • It’s a bastard typeface, each character stands alone as an independent angular structure.
  • Wildcats 3.0, the title streamlined into a clean, antiseptic sans-serif typeface that wouldn't look out of place on an investment magazine. Paste Magazine
  • Much of it is in an italic typeface, like interior thoughts or private conversation within a larger novel.
  • For beneath their predictable monographic typefaces, layouts, and apparatuses, these books are not as comprehensive and conventional as they might appear.
  • I'd like the heading to be in a different typeface from the text.
  • Display the worship prayers and litanies on the screen in a typeface large enough to be seen from the back of the worship space.
  • The software allows you to choose from over twenty sorts of typeface.
  • She varies the size of the typeface; alternates between objective and intimate and rhapsodic registers; leaps between topics; and interweaves unattributed quotations.
  • Another laugh came after Moore trailed off, holding the book up so the audience could see that the typeface was fading as Stella's typewriter ribbon runs out of ink.
  • If a certain typeface or a certain motif is considered inappropriate because it looks unprofessional, no professional artist/designer would use them. More on covers
  • The brand new Bastard-family is a modern caps-only display typeface with OpenType features.
  • Some years after that, I was involved in the design of a typeface for displaying text on television screens.
  • The typeface homogenizes excerpts from a thousands-year long history into a set of seamless services that use familiar melodies. New Words for a New Year—Rabbi Leonard Gordon's Sermon
  • They derided his September relaunch - with its odd headline typeface and coloured masthead - as a waste of time and money.
  • The typefaces and layout are part of the whole, with cartoons, photos and sketches essential to the whole feel of the project.
  • Digital fount ( font ) : A typeface fount converted to digital form for storage on magnetic medium.
  • The most conventional scheme for using typefaces is to use a serif face such as Times New Roman or Georgia for body text and a sans serif face such as Verdana or Arial as a contrast for headlines.
  • The complex text may contain as many or as few conjuncts and other typographical features as the typeface designers and engineers care to include.
  • Sans serif: A typeface without series and constructed from strokes of nearly uniform thickness.
  • You can print in 100 typefaces - even Japanese, if your computer is set up to handle that - and there are 36 preset phrases to click on for instant print.
  • Meanwhile, many texts have been happily read in sans serif typefaces, and other texts are hard to read because the serif typeface chosen is just plain hard to read, or badly set.
  • There's a craftsmanship in the typesetting and typeface choices of this seminal work that really strikes the viewer, without them truly understanding ‘what’ it is that's affecting them.
  • Gurus like Wally Olins preached the value of making your strategy visible through symbols, logotypes, colors and typefaces.
  • The new Guardian masthead and typeface is based on Guardian Egyptian - a typeface specially designed by Barnes and Schwartz to combine historical references with European and American typographical excellence.
  • (rendered here in typeface as two separate letters but properly written as a ligature - a typographical combination of two symbols - called "aesc"). The Daily Princetonian, 2009-06-03
  • A typeface has first to be legible, nay, readable, and a sans serif is certainly not the most legible typeface when set in quantity, let alone readable … Good typography has to be perfectly legible and, as such, the result of intelligible planning … The classical typefaces such as Garamond, Janson, Crooked Timber
  • The latter is, moreover, typographically complex, including boldface sentences, underlinings, italics, and different typeface sizes.
  • The First Folio edition indicates text to be sung through indentation and italic typeface, though apparently not with absolute consistency.
  • Caxton learned to print in Bruges, using Burgundian styles, texts, and machines, so the earliest English books have a Burgundian feel, most evident in typefaces, layouts, and colophons.
  • However impressive the visions are that much mediumistic art offers, they often have a fantastic or oneiric pitch, almost as if they were in a special typeface, emphasising their ‘inner’ perspective.
  • The background is a solid turquoise blue and creates a scintillating color scheme of migraine-inducing proportions thanks to bright yellow and neon-orange typefaces.
  • The only suggestion this reviewer has is that the publisher consider a larger typeface in the next printing.
  • For every nine well-integrated, charming, clean-limbed and long-fingered readers holding this newspaper, there's one lone nut explaining to a stranger at a bus stop about the history of its typeface design.
  • When asked which they 'should' eat, 85 per cent picked the tins with the plainest, skinniest, typefaces. Times, Sunday Times
  • A shame that the present system has defaulted back to a typeface which is totally unsuited for signage.
  • Cheltenham is our most beloved underdog of typefaces. Mystery of the Day
  • The introduction of computer controlled phototypesetting, and the other technical advances of the 1970s and 1980s, made the identification of typefaces even more relevant, and a large printer such as the Government Printing Office would automatically itemise the designs and type sizes available, as in their looseleaf Gold Book specimen book of 1984. Book & Print in New Zealand: A Guide to Print Culture in New Zealand
  • A brass linecasting matrix for the ampersand character in the Bookman typeface. Diner's Journal
  • From 25 years in adverting and design I am still amazed by junior graphic designers ‘playing’ with typefaces, sorry the A doesen’t work. Cover up
  • Most importantly they don't have the resolution needed to properly render highly legible serif typefaces like Times and Garamond.
  • I know which stories I read in Judith Merril anthologies because my copies of those anthologies have yellowing pages and green edges and a particular narrow typeface that I would know anywhere. MIND MELD: The Pros and Cons of eBooks
  • Speaking as a non-expert, the title typeface looks like a close cousin of the Delphin font, but sharper, chunkier.

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