How To Use Tom Stoppard In A Sentence
- I saw the 2005 Off-Broadway premiere, and while it had a starrier cast, this revival wrings as much laughter out of Mr. Moses 'one-two jokes, many of which suggest Abbott and Costello rewritten by Tom Stoppard. Greasepaint Under the Redwoods
- And then he went and had an affair with the totally untalented KATE CAPSHAW who remains Mrs. Spielberg to this day, leaving Amy to star in films like "Yentl" and to show up at Tom Stoppard's plays wearing gold muu-muus with gold sandals, looking like a kind of blinged-out Hare Krishna? Worshiping the Golden Caftan
- Remy Bumppo Theatre Company, which specializes in brainy, challenging scripts, is doing a real service to the republic of letters by producing "Night and Day," the most obscure of Tom Stoppard's major plays. This Stoppard Is a Second 'Scoop'
- 'Shakespeare in Love' (1998) The Earl of Oxford may have written this too, but Marc Norman and Tom Stoppard got screen credit for what is, by unanimous agreement among Shakespearean scholars, a totally fictional account of how a Bard with writer's block sought help from a shrink (who timed patients' sessions with an hourglass) and churned out "Romeo and Juliet" only after discovering his muse in a dishy, brainy aristocrat named Lady Viola. 'Like Crazy': From Cupid's Blunders, Wonders
- It is based on a play by Tom Stoppard, who has also directed and co-produced it.
- English drama has enjoyed a rebirth since the 1950s with writers like John Osborne, Harold Pinter and Tom Stoppard.
- Also present are Rosencrantz and Guildenstern, the king's unfortunately clueless lackeys and subjects of Tom Stoppard's work Rosencrantz and Guildenstern are Dead.
- Tom Stoppard is often characterized as a dramatist who mixes intimidating cleverness with extravagant showmanship, but in Evening Standard - Home
- Tom Stoppard's 1982 play is a millefeuille meditation on authenticity. The Real Thing; The Concise Dictionary of Dress
- Think Tom Stoppard's Jumpers meets Rosencrantz and Guildenstern Are Dead and you have a taste of this smart-arse evening, in which Davalos doesn't just wear his learning on his sleeve but plasters it all over the stage. Wittenberg – review
