[
UK
/stˈænzɐ/
]
[ US /ˈstænzə/ ]
[ US /ˈstænzə/ ]
NOUN
- a fixed number of lines of verse forming a unit of a poem
How To Use stanza In A Sentence
- _The Terrace at Berne_ has been already dealt with, but that mood for epicede, which was so frequent in Mr Arnold, finds in the _Carnac_ stanzas adequate, and in _A Southern Night_ consummate, expression. Matthew Arnold
- A character is like an acrostic or Alexandrian stanza; - read it forward, backward, or across, it still spells the same thing.
- Transforming the press account, Kelly's own narrative further compresses Kastriot's story of miraculous survival into three stanzas and a shorter envoi which are intended to evoke the traditional folk ballad.
- Consistently, Owen rhymes the last two words in the fifth and seventh lines of each stanza, which is very effective.
- It is certain that Byron had begun the fourth canto, and written some thirty or more stanzas, before Hobhouse rejoined him at his villa of La Mira on the banks of the Brenta, in July, 1817; and it would seem that, although he had begun by saying "that he was too short a time in Rome for it," he speedily overcame his misgivings, and accomplished, as he believed, the last "fytte" of his pilgrimage. The Works of Lord Byron. Vol. 2
- The amhrán or song metres have a richly assonated stanzaic form, and are also accentual.
- The patronage (largely pontifical, but also royal and aristocratic) of the great sculptor-architect is the chief subject of Franco Mormando's lovingly researched "Bernini: His Life and His Rome," which, for all its splendid erudition, freely resorts to American common speech to characterize the sheer viciousness of the Baroque papal oligarchs and Bernini's own egomania (most famously characterized by his ordering a servant to slash the face of his unfaithful mistress, Costanza Bonarelli). The Heirloom City
- The whole of the first act consists of one emphatic jeremiad by Cicero, about the desperate condition of Rome as it then was, its factiousness, its servility, -- a jeremiad which is continued at the end of the act, by the chorus, in rhymed stanzas. The Critics Versus Shakspere A Brief for the Defendant
- When the hatch cover was closed the fire was smouldering in the dunnage, most likely the carpet, and the vessel sailed from Constanza in that condition.
- I will not offer any criticism of the sentiments or idiom of this stanza, for what irked me was the word ‘flippertigibbets,’ which seemed an unnecessary orthographical variation intended only to catch attention it did not deserve.