How To Use spondaic In A Sentence
- Common metrical patterns in both poetry and music are iambic, trochaic, dactylic, amphibrachic, anapaestic, spondaic, and tribrachic.
- spondaic hexameter
- Consideration of the most common of those variations, the spondaic (two stressed) and the pyrrhic (two unstressed), which are often found together forming what some have called the ionic foot, completes the chapter walking us into consideration of the line. THE PROSODY HANDBOOK: A GUIDE TO POETIC FORM by ROBERT BEUM & KARL SHAPIRO
- In the series of dactylic lines 17-22, Catullus no doubt intended to convey the idea of rapidity, as, in the spondaic line immediately following, of labour. Poems and Fragments
- Scribes quite often alter such lines so as to remove the spondaic word from coinciding with the fourth foot; an instance of this can be seen at line 7 'non potuit mea mens quin esset grata teneri', where _H_ offers the scribal alteration _esset quin_. The Last Poems of Ovid
- But the beauty of the descriptions in _Evangeline_ and the pathos -- somewhat too drawn out -- of the story made it dear to a multitude of readers who cared nothing about the technical disputes of Poe and other critics as to whether or not Longfellow's lines were sufficiently "spondaic" to truthfully represent the quantitative hexameters of Homer and Vergil. Brief History of English and American Literature
- In the series of dactylic lines 17-22, Catullus no doubt intended to convey the idea of rapidity, as, in the spondaic line immediately following, of labour. Poems and Fragments
- But in both cases I preferred to lock up by the massy spondaic variety; yet never forgetting to premise a dancing dactyle -- 'many a' -- and 'pinion of.' The Posthumous Works of Thomas De Quincey, Vol. 1
- If you read aloud the lines containing this word at the beginnings of the first two quatrains, you will hear something between resigned bitterness and sad determination conveyed by the spondaic stress on the first “must,” and a firmer, mounting determination in the second “must.” Annie Finch reads Claude McKay
- But the beauty of the descriptions in _Evangeline_ and the pathos -- somewhat too drawn out -- of the story made it dear to a multitude of readers who cared nothing about the technical disputes of Poe and other critics as to whether or not Longfellow's lines were sufficiently "spondaic" to represent truthfully the quantitative hexameters of Homer and Vergil. Initial Studies in American Letters
