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[ UK /pˈa‍ɪd/ ]
[ US /ˈpaɪd/ ]
ADJECTIVE
  1. having sections or patches colored differently and usually brightly
    a jester dressed in motley
    a particolored dress
    the painted desert
    pied daisies
    a piebald horse

How To Use pied In A Sentence

  • Dylan seemed exhausted, self-preoccupied, and morbidly depressed. Touched with Fire
  • This sort of enamel work on a faceted metal body was copied from the enamelled European watches.
  • I'd like to have something special planned that will keep them occupied and outside in the garden as much as possible. Times, Sunday Times
  • He chased the unmigratory tropi-ducks from their shrewd-hidden nests, walked circumspectly among the crocodiles hauled out of water for slumber, and crept under the jungle-roof and spied upon the snow-white saucy cockatoos, the fierce ospreys, the heavy-flighted buzzards, the lories and kingfishers, and the absurdly garrulous little pygmy parrots. CHAPTER XV
  • It was a responsible situation he felt for a boy of thirteen, and he meant to do his very best to keep it now that he had been lucky enough to get it; in the far-off future, too, he saw himself no longer the van-boy, but in the proud position now occupied by Joshua as driver, and this he considered, though a lofty, was by no means an unreasonable ambition. Our Frank and other stories
  • And when they espied the duke’s daughter, that was a full fair woman, then by their false covin they made debate betwixt themself, and the duke of his goodness would have departed them, and there they slew him and his eldest son. Chapter XV. The Thirteenth Book. How Sir Galahad Fought with the Knights of the Castle, and Destroyed the Wicked Custom
  • Cleland was occupied with his visual recorder, surveyor, gravitometer, and whatever else he could wield in the saddle, or simply with gazing around. Starfarers
  • Mathers admitted he had followed Ms Evans and spied on her.
  • In Japan, he sees political parties solely occupied in securing power and preoccupied in increasing strength and influence.
  • The work of the Hard-Edge painters, their first collective exhibition catalog in 1959 asserted, runs counter to a widespread contemporary belief in the primary value of emotion and intuition in esthetic experience … the [Hard-Edge painter] is not preoccupied with art as an opportunity to make autobiographical statements. California Cool
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