How To Use Homophonic In A Sentence
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I also encourage students to focus on how the melody and harmony interrelate, particularly in homophonic textures.
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It's very idiomatic, it contains a lot of polysemantic or homophonic words, which you can play with a lot.
Translating jokes into English leads comics to new punch lines
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And there is no question that there are plenty of languages in which the apparent complementizer is not homophonic with a demonstrative.
Propositional Attitude Reports
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The bass is commonly the second most important line in homophonic textures, for in combination with the soprano it provides the melodic/harmonic framework that is ‘fleshed out’ by the inner voices.
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French choral music of this time is often in a deceptively simple homophonic style.
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Settings are for three or four voices, mainly syllabic and homophonic, with the melody in the top voice.
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Its homophonic and homorhythmic style recall the old conductus, long since fallen ou of fashion.
Archive 2009-04-01
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I also encourage students to focus on how the melody and harmony interrelate, particularly in homophonic textures.
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It is important to emphasize that the present study made use of monaural homophonic stimulation.
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First, there are plenty of languages where the apparent complementizer ” ˜that™, in English ” is not homophonic with a demonstrative.
Propositional Attitude Reports
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Often homophonic in texture and solemn in style, it tends to focus on a limited set of harmonic colors in each piece, a repetition that creates a grand sense of stasis and allows the text to be heard.
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And given the contradictory meanings of garnish adding to a dish or taking away from someone’s wages, it qualifies as a homographic homophonic autantonym.
The Volokh Conspiracy » Horace Comes to Law School:
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I also encourage students to focus on how the melody and harmony interrelate, particularly in homophonic textures.
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This homophonic choral music merged into now fully notated instrumental dance music, such as the famous collection assembled in 1557 by Attaignant.
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Settings are for three or four voices, mainly syllabic and homophonic, with the melody in the top voice.
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Homophonic hypertexts are of a function of puns and rhetorically featured with humor, novelty and brevity.
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The fugato is interrupted at its height by a homophonic statement by the entire ensemble, first in a single line and then in a huge two-voice version.
