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Herbert

[ US /ˈhɝbɝt/ ]
NOUN
  1. United States musician and composer and conductor noted for his comic operas (1859-1924)

How To Use Herbert In A Sentence

  • Wallace and Wolf trace the development of structural functionalism to Comte, Herbert Spencer, and Durkheim.
  • Herbert recognized in this animal the capybara, that is to say, one of the largest members of the rodent order. The Mysterious Island
  • Herbert would surely advise her how to approach the bank.
  • It is true that Herbert Butterfield remarked that the trick of writing history lay in ‘the art of abridgement’, but abridgement must be both sensible and defensible.
  • David Herbert Lawrence has always been a controversial writer concerning the theme of the relationship between the sexes. The structure and style of the novel Sons and Lovers symbolizes the theme.
  • All Herbert scholars will welcome Mario Di Cesare's stunning diplomatic edition of the Bodleian Manuscript.
  • Herbert, a young officer in the ant A.S.C. When we first knew Herbert (or "'Erb" as he was known in those days), he was an impudent and pushful private. Punch, or the London Charivari, Volume 152, February 7, 1917
  • Bill Herbert was fortunate to be sent overseas as a war correspondent.
  • In other words, Helga Dernesch and Herbert von Karajan made the cut, despite frankly unidiomatic contributions from Karajan, but Birgit Nilsson -- under three different conductors, all in better sound than a 1903 wax cylinder. "Top" Ten Immolation Scenes?
  • This week my graduate seminar students (at Parsons Fine Arts MFA) and I had a great discussion leading from Robert Smithson's writings on entropy to issues of pessimism about social change and what might be the point of human intervention towards ideals of progressive social activism in an entropically irreversible situation: interesting in this light to read Bob Herbert Op-Ed piece in the October 26, 2010 copy of The New York Times, "The Corrosion of America": do we just go along "haplessly"/hopelessly with the flow of entropy and the corrosion and ruin of our infrastructure (a ruin which is in a sense "always already" from before its inception, in Smithson's example of "The Monuments of Passaic") creating or suggesting an art which does not try to impose an idealist order or moral value to an entropic situation of urban and suburban decay, or do we believe enough in human labor despite ultimate futility or mortality to make the investment in our near futures by fixing the infrastructure? Mira Schor: Corroded infrastructure 2010/Robert Smithson's Writings on Entropy, 1966-67
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