How To Use Godard In A Sentence
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It is a tale of violence and sexual obsession, certainly, but atypical; it is hardly a straight suspenser, but much more modern in its perplexingly oblique depiction of fear and horror, which mixes in the kind of single-girl romantic comedy found in Varda's Cléo From 5 to 7, Godard's Clueless, Rivette's Paris Belongs To Us. Four young women work in a French store and dream of getting away somewhere, anywhere.
Claude Chabrol anatomised the French middle class with a twist of the scalpel
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There are several techniques that Godard uses to produce distancing and consequently the disinvestment of desire in images.
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They fantasised about being these cool dudes in a Godard film, but they didn't really get there.
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Godard begins Contempt with a vision of cinema as movement as order, and he climaxes it with a vision of life as stasis as disorder.
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Godard once said that by "ratting" to the police she had emancipated herself.
Patricia Zohn: Culture Zohn: The Enduring Magic of Breathless
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Sure Godard's work is inaccessible, but at least he's not trying to force feed emotion to the masses.
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Even so, Godard's barrage of images, sound bites, allusions and pensées remains invigorating rather than numbing, compelling us not only to look but to see and to hear.
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But then again, Band of Outsiders would probably alienate the average cinemagoer as well, and that's Godard's most straightforward and fun 60s genre flick.
Everything Is Cinema and Criticism Is Nothing
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You've mentioned in interviews that French directors like Truffaut and Godard were big influences on your vérité style.
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Thus, the reactions to Socialism were largely focused on its oddities: young children on a boat who speak in abstract aphorisms, other shots narrated by zoo animals — all of which would be easier to comprehend if they were subtitled in full, instead of "approximated" in what Godard calls the fragmented "Navajo English" of old Westerns.
Out of Breath
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The latest addition is number 7 Godards Lane.
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The collection ends with a typically gnomic pronouncement from Jean-Luc Godard entitled Dans le Noir du Temps which disinters fragments of his old films as part of what is apparently a fiercely grim ongoing farewell to cinema.
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What condemns Godardian cinema in the last analysis is its own incommunicability.
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‘Of the woe that is in marriage it is impossible to speak truly,’ he says of Godard and Karina.
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The late 60s are gone, but Godard's concerns remain electrically pertinent.
GreenCine Daily: Shorts, 3/9.
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But it conveys on Godard's part an unearned sense of being let down by them; like his revolutionism, his disillusionment with revolution has something brattish about it.
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Penalties Back to top Period Team Time Player Type Level 1st period PIT 4: 35 Sidney Crosby tripping minor CAR 7: 34 Tuomo Ruutu boarding minor CAR 9: 34 Niclas Wallin hooking minor 2nd period CAR: 33 Tuomo Ruutu high-sticking minor PIT 10: 48 Mark Eaton holding minor PIT 14: 15 Eric Godard hooking minor 3rd period PIT 4: 43 Evgeni Malkin tripping minor PIT 17: 54 Max Talbot high-sticking minor
USATODAY.com
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Godard's cinematic practice emerged from his years of watching film and from his film criticism.
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Only Wire and Vic Godard & the Subway Sect down in London had anywhere near the kind of untutored intelligence and wit that The Fall exhibited an their debut single
FallNet - the punk foot of nose
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As did the death of Claude Chabrol, co-author of the first book on Hitchcock and technical adviser on Godard's feature debut.
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To mohawked viewers, it's a tribute to the Vancouver punk music scene (it even features an excellent onscreen number by Superconductor), while goateed audiences might see it as homage to the work of Jean-Luc Godard.
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She later worked on a film short with Godard entitled “Le grand escroc,” which was a continuation of her “Breathless” character, though few have seen it (it did not appear in the recent DVD release of “Breathless”).
Current Movie Reviews, Independent Movies - Film Threat
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I'm speaking of the Moroccan-born Myriem Roussel, best remembered for playing the title role in Jean-Luc Godard's controversial HAIL MARY Je vous salue, Marie; 1985, pictured above and below.
In Genuflection to Myriem Roussel
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Shot in grainy black and white on a handheld camera and peppered with confrontational jump cuts, Godard's movie epitomised the cool iconoclasm of the New Wave.
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As a director, Rohmer became a leading force in France's convention-smashing New Wave cinema, alongside directors Jean-Luc Godard and Francois Truffaut, his colleagues at the Cahiers.
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It seems that however the machine of popular media wishes to use, glorify, or portray Godard,(sentence dictionary) he will not go with the flow.
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Compare Smith's reliance on masscult totems like the Star Wars movies to the catholic tastes of his fellow Sundance alum Quentin Tarantino, who teases fans with references to obscure spaghetti Westerns and borrows formal strategies from Jean-Luc Godard.
Slate Articles
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Her first breakthrough came through renowned director Jean-Luc Godard, who wrote into the screenplay of his Je vous salue, Marie (1985; Hail Mary) a part expressly for her.
Five People Born on March 9 | myFiveBest
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She turned down a small role in Breathless, but nevertheless had married Godard within the year.
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Godard was lost in Plato's cave from the outset, so he should not be surprised when this illusory ersatz world of film proves unsatisfactory - as a replacement for life, it is indeed a very unsatisfactory substitute.
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As Godard declares, in his own histrionic manner, the end of cinema is nigh.
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The latest addition is number 7 Godards Lane.
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The host noted that, although the film bombed in 1958, Godard placed it on his list of top ten films of that year.
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I add another chronogram "by Godard, upon the birth of Louis XIV. in 1638, on a day when the eagle was in conjunction with the lion's heart:
Notes and Queries, Number 203, September 17, 1853 A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.
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Cinematically, it restages the celluloid of the 60s and 70s: early Godard, Bonnie and Clyde, Badlands, Butch Cassidy and the Sundance Kid.
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Godard's not known for rib-ticklers, but Histoire is frequently funny.
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The numbers on the the broomstick are the jersey numbers of the Pittsburgh Penguins. 87 is Sidney Crosby; 71 is Evgeni Malkin; 55 is Sergei Gonchar; 28 is Eric Godard; 14 is Chris Kunitz.
Sporty Spice Cakes
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Before that, she'd appeared in a commercial as a bleached blond munching suggestively on marshmallows, and was given a tiny role shooting baskets in Jean-Luc Godard's "Je vous salue, Marie".
Venturing Into the Unknown
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‘Tell me,’ Godard said as he slipped still lower and the collar of his overcoat crawled up around his ears; he looked like a turtle burrowing into his shell.
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No one else does with available light what Godard does, which brings about a singular beauty.
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Though the film "World on a Wire" most resembles is Jean-Luc Godard's 1965 pulp-fiction dystopia "Alphaville," with wider neckties and groovier furniture, it may have just been a genre Mr. Fassbinder wanted to try out.
Taking a Relic Over the Moon
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Nominate Jean-Paul Sartre and Jean-Luc Godard cochairmanship.
'The Memory of Justice': An Exchange
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(It is a perception that applies to changes taking place throughout the culture at the very moment, in the mid-1960s, when he was looking at those bricks-whether in Capote and Mailer's attempts to break down differences between fiction and reporting, or in Godard's movies, where we all became self-conscious watching films that felt like essays as much as narratives and seemed more playacted than acted.)
The New York Review of Books
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Cultural barbarians were clamoring at the gate, eager to corrupt a venerable institution that gave the world Ingmar Bergman, Jean-Luc Godard, and Citizen Kane—and, to be fair, two competing films about the lambada that famously pitted Golan against Globus.
My Year of Flops
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Add to this a method of montage favouring ellipses and assonances and one is well on the way to experiencing that giddiness which Jean Narboni has described as the essence of the ‘Godard effect’.
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(It is a perception that applies to changes taking place throughout the culture at the very moment, in the mid-1960s, when he was looking at those bricks — whether in Capote and Mailer's attempts to break down differences between fiction and reporting, or in Godard's movies, where we all became self-conscious watching films that felt like essays as much as narratives and seemed more playacted than acted.)
An Eye on the Tremors
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In turning the genre inside out, Godard creates a world in which real emotions resemble artifice.
