How To Use Gigue In A Sentence
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Much of it is in dance forms, such as the sarabande, the courante, the menuet, and the gigue - another innovation in French chamber music of that era.
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Josephine Yannacopoulou, 30, a PhD student of medieval organology, says she was "hijacked" by the instrument while researching her thesis on an ancient Mexican dance, which transferred to France in medieval times and became the formal "gigue", performed at court in the ballet style.
Archive 2007-05-01
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Although many late Renaissance dances comprised three strains, binary form came to be used in nearly all dance movements (allemandes, courantes, sarabandes, gigues, etc.) in 17th and 18th-century dance suites.
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He would rise sharply into a fifth sous-sus to explode into a buoyant jump, peppered with the gigue, czardas, or mazurka of his beloved character dance.
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The Detroit native completed his hat trick, circling from the corner to Giguere's left and snapping a wrist shot from the faceoff circle past the goalie, during a power play with 1: 48 to play in the second.
USATODAY.com
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She essentially turns the movement into both minuet and gigue and metamorphs one to the other without any sense of break at all.
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We have remarked on Hahn's adumbrations of this movement in an earlier one, but one senses a disconnect between the end of the ‘Gigue’ and the beginning of the ‘Ciaccona.’
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Traditional French Canadian dances include the quadrille and the gigue.
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A sharp-elbowed reading of the air dissolved into an impressionistic sarabande, while the tempo di gavotta and gigue glittered.
Times, Sunday Times
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Much of it is in dance forms, such as the sarabande, the courante, the menuet, and the gigue - another innovation in French chamber music of that era.
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In the Gigue, Bach used the sort of chiasmus device that is often found in his binary dances, by which he inverts the basic motive of the A section as the motive for the B section.
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Cliff Ronning walked to the doorstep from the left corner and attempted a backhander that Giguere stopped with his left pad.
USATODAY.com
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To the traditional form of the suite - allemande, courante, sarabande, and gigue - Bach added an introductory Prélude with a pair of fashionable modern dances.
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To the traditional form of the suite - allemande, courante, sarabande, and gigue - Bach added an introductory Prélude with a pair of fashionable modern dances.
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Traditional French Canadian dances include the quadrille and the gigue.
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Tureck gives us real dreams not only in weighty sarabande, but also in the so-called ‘lighter’ dances of the allemande, corrente, and gigue.
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The suites mostly have four short movements, a prelude or allemande, courante, sarabande and gigue, with some variants.
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She caps off the work with a hell-for-leather fugal gigue.
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His sarabandes are balm to the ear and his gigues delight.
Times, Sunday Times
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Hendricks faked a shot from the high slot and pulled up to draw Toronto goaltender Jean-Sebastien Giguere out of his crease and deked around him for a clean shot to make it 3-1 and restore the Capitals' momentum.
Matt Hendricks on his highlight-reel breakaway against the Maple Leafs
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Sergei Brylin chipped a shot over the net with 11: 17 left, then was stopped from the slot by Giguere 5 1/2 minutes later.
USATODAY.com
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Much of it is in dance forms, such as the sarabande, the courante, the menuet, and the gigue - another innovation in French chamber music of that era.
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The concluding gigue was especially vivacious.
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One finds this mirrored in the antiphonies between orchestral groups in a huge, highly contrapuntal gigue.
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February 29, 2008 at 10:34 am but teh gigue, allemande, corante adn bouray are dance musik!
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The suites mostly have four short movements, a prelude or allemande, courante, sarabande and gigue, with some variants.
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The suites mostly have four short movements, a prelude or allemande, courante, sarabande and gigue, with some variants.
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The suites mostly have four short movements, a prelude or allemande, courante, sarabande and gigue, with some variants.
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His concertos are made up of strings of juxtaposed contrasting movements (between four and six per concerto) and you sense that he could go on adding more gigues, sarabandes and gavottes without damaging the overall structure.
