FICA

How To Use FICA In A Sentence

• Apart from any other objection, a different classification would be reached if the characters were used in a different sequence.
• When I looked at the chart a second time, I saw that there was a lot Michael had left out of his personal history; specifically, IVDU—intravenous drug use—dating back ten years, and a major depression that had led to a psychiatric hospitalization and ECT, electroconvulsive therapy. After the Diagnosis
• The composition of displaced terranes ranges from that of typical oceanic crust to significantly less dense granitic rock with clear continental affinities.
• So, the system of existential graphs actually requires three dimensions for its representations, although the third dimension in which the torus is embedded can usually be represented in two dimensions by the use of pictorial devices that Peirce called “fornices” or “tunnel-bridges” and by the use of identificational devices that Peirce called Nobody Knows Nothing
• The space left by evaporation is called the ullage, while the liquid lost is sometimes called the ‘angels' share’ and is particularly financially significant in the production of older cognac and Armagnac.
• This would include both goods that are transshipped without modification and goods that are exported after value-added processing. Ian Fletcher: Why a Flat Tariff on All U.S. Imports Would Work
• In addition, experimental flowers that matured a fruit (and therefore received a visit) had significantly larger corollas compared with corollas of flowers that did not initiate a fruit.
• The value of the coffee becomes significantly higher when expressed in foreign currency.
• In the premise of quality assurance, product diversification, style fashion, and make our products sell well at home and abroad, and won the trust of our customers and highly praised.
• Ajmal Aqtash, writes that, "The exhibition traces the evolution of Lalvani's genomic art as filtered through two major series, AlgoRhythms ™ and XURF ™, each exploring Lalvani's principal concern with the relationship between genetic codes and sculptural creation, and more specifically, between" genomics "- sculpture derived from formal rules, and" epigenomics "- works created through external agents like forces, respectively. Steven Mesler: Form Follows Force: Haresh Lalvani