How To Use Du bois In A Sentence
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“Today, therefore, we are challenging this ownership,” Du Bois asserted.
DARKWATER
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Du Bois dedicated the book to Nina Gomer, his wife of twenty-four years.
DARKWATER
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And we should confidently add Du Bois's discussion of the this-worldly social benefits religion provides to the above list.
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Moving from fiction to social commentary in “The Servant in the House,” Du Bois recapitulated the dogged struggle out of slavery by black labor, taking as departure point his own experience waiting tables at a Minnesota resort on Lake Minnetonka the summer after graduating from Fisk University.
DARKWATER
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That evangelical faith in the transformative power of education that sustained Du Bois until the end was at open throttle in “The Immortal Child,” a sometimes lyrical evocation of the short, extraordinary career of his friend, the Afro-English composer Samuel Coleridge-Taylor.
DARKWATER
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Having seen the human drama “from a veiled corner,” Du Bois had set about trying to lift the veil of race enough for white people to see—and even to feel—through the medium of arresting language and moral signposts what it was like to be a second class citizen in America, a virtual caste whose pariah status inhered in the inescapability of skin color.
DARKWATER
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To the same degree that Hughes defines manhood through compassion, Du Bois defines manhood through intellectual curiosity.
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New Business Card Pictures
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E. B. Du Bois was a distinguished thinker and activist in African-American history.
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Over the hills, and once more across country, the howling wind made its way, past the old church of Saint Pierre du Bois, past the lanes to Torteval parish, and along the high road to Pleinmont, where it had full play over a wide moorland district, dotted with low masses of gorze and groups of boulders.
Where Deep Seas Moan
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Down These Mean Streets thus offers an interesting counterpoise to Appiah's critique of Du Bois, and to all searches for a ‘purified’ discourse of race.
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Born at the end of the slavery era, she became a leader without the help of the kind of educational or social credentials that would help younger black leaders such as Du Bois earn the respect of the increasingly educated black middle class-and their white allies as well.
AmericanHeritage.com
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However, the hyphenated identity of African-American came into widespread use during the 1980s, and it encapsulates graphically, on the page and in the mind, the “twoness” that Du Bois describes.
W. E. B. Du Bois, Carol Swain, and African-American Duality
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That evangelical faith in the transformative power of education that sustained Du Bois until the end was at open throttle in “The Immortal Child,” a sometimes lyrical evocation of the short, extraordinary career of his friend, the Afro-English composer Samuel Coleridge-Taylor.
DARKWATER
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Simpson continued to struggle with the "twoness" described by W.E.B. Du Bois in "The Souls of Black Folk" nearly a century ago -- the higher he reached for trappings of the white world, the more he distanced himself from his beginnings.
Day & Night
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On March 22nd, three weeks after publication, Du Bois received a royalty check for $280.
DARKWATER
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Born at the end of the slavery era, she became a leader without the help of the kind of educational or social credentials that would help younger black leaders such as Du Bois earn the respect of the increasingly educated black middle class-and their white allies as well.
AmericanHeritage.com
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Of critical importance, Du Bois wrote, is his financial success, his efforts to increase church membership, and his personal popularity.
American Grace
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Some historians characterize Du Bois's thinking as riddled with contradiction.
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And most importantly, Du Bois stressed the ways in which religious institutions can be recognized as social, communal centers which provide this-worldly rewards and comforts.
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Having seen the human drama “from a veiled corner,” Du Bois had set about trying to lift the veil of race enough for white people to see—and even to feel—through the medium of arresting language and moral signposts what it was like to be a second class citizen in America, a virtual caste whose pariah status inhered in the inescapability of skin color.
DARKWATER
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Having seen the human drama “from a veiled corner,” Du Bois had set about trying to lift the veil of race enough for white people to see—and even to feel—through the medium of arresting language and moral signposts what it was like to be a second class citizen in America, a virtual caste whose pariah status inhered in the inescapability of skin color.
DARKWATER
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What is significant to notice here, is that Du Bois seems to borrow some of his descriptions of the excellency of art from classical references.
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E. B. Du Bois was a distinguished thinker and activist in African-American history.
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Du Bois had written, It is given to few persons to transform a people in a generation.
Gerit Quealy: Forgotten Women: Madam C. J. Walker, Beauty Entrepreneur
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On March 22nd, three weeks after publication, Du Bois received a royalty check for $280.
DARKWATER
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Du Bois dedicated the book to Nina Gomer, his wife of twenty-four years.
DARKWATER
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Of critical importance, Du Bois wrote, is his financial success, his efforts to increase church membership, and his personal popularity.
American Grace
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At the same time, Du Bois's and Washington's own notions of elitism within ‘the race’ suggest a less obvious yet equally formidable roadblock.
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Author, educator and activist W.E.B. Du Bois, captured in a sepia-toned image, is shown in profile, looking thoughtful and introspective.
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Two decades before he ever jostled with Du Bois, he was asserting that of course ‘there should be no unmanly cowering or stooping to satisfy unreasonable whims of the Southern white man.’
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In “The Shadow of Years,” Du Bois retold his saga of the Black Burghardts of the Berkshires and of growing up “by a golden river” in Great Barrington, of the lordly Du Boises and his austere paternal grandfather, of the “age of miracles” at Fisk, Harvard, and Berlin, and of his work in Atlanta.
DARKWATER
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In “The Shadow of Years,” Du Bois retold his saga of the Black Burghardts of the Berkshires and of growing up “by a golden river” in Great Barrington, of the lordly Du Boises and his austere paternal grandfather, of the “age of miracles” at Fisk, Harvard, and Berlin, and of his work in Atlanta.
DARKWATER
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“Today, therefore, we are challenging this ownership,” Du Bois asserted.
DARKWATER
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Du Bois had written, It is given to few persons to transform a people in a generation.
Gerit Quealy: Forgotten Women: Madam C. J. Walker, Beauty Entrepreneur
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Author, educator and activist W.E.B. Du Bois, captured in a sepia-toned image, is shown in profile, looking thoughtful and introspective.