How To Use coloring material In A Sentence
- Other coloring materials were prepared in approximately the same way: mixing the coloring source with a fondant and perhaps other ingredients to improve its qualities, followed by multiple melting, cooling and regrinding steps, until the coloring material was determined to be good enough for use. The Creation of Color in Eighteenth-Century Europe
- The choice of coloring materials was as critical here as it was in creating any other kind of color diagram: reference Le Blon recommended the use of a red lake made from cochineal or brazilwood, Prussian blue reference, and yellow berries (stil de grain), but the quality of the coloring materials was as important as their sources. 16 Black was made by combining the three colors and the paper support provided white. The Creation of Color in Eighteenth-Century Europe
- The oil used in priming materials caused the coloring material to ferment and the canvas to rot. The Creation of Color in Eighteenth-Century Europe
- This became, after subsequent experiment, a tin chloride mordant for the coloring material cochineal. The Creation of Color in Eighteenth-Century Europe
- Bancroft's persuasive abilities were considerable: His 1775 patent for the sale of quercitron in Britain was renewed when he argued that war hindered his ability to exploit its rights. 43 Once the patent was extended, Bancroft turned to the Council of Commerce in Paris for a similar privilege in France; he controlled access to this improved coloring material and its coloring technique in both countries until his death. The Creation of Color in Eighteenth-Century Europe
- The woad plant contains less indigotin, the coloring material within the source, and it requires higher heats to create color in textiles. The Creation of Color in Eighteenth-Century Europe
- Once prepared, zaffer would be ground again, for use as a vitreous coloring material, in glazes and enamels. The Creation of Color in Eighteenth-Century Europe
- Porosity and elasticity of the support — the composition of the clay, glass, or metal used in enameling — was an important consideration in choosing the coloring materials for ceramic bodies, as they too reacted to temperature changes during firing. The Creation of Color in Eighteenth-Century Europe
- Scientific periodicals throughout Europe published and republished accounts that, tying color to classic roles as a chemical indicator and mineralogical descriptor, linked colored substances to their use as coloring materials. 22 The influences could be subtle; an article about pyrites and vitriols might suggest new pigments and reformulated inks and dyes, if one were familiar with the role they played in those processes. 23 The Creation of Color in Eighteenth-Century Europe
- In 1771, Edward Bancroft approached the Society of Arts about a premium for some textile coloring materials, including a red dyestuff used in Guyana and a dye assistant that would improve black and brown colors. 42 The Creation of Color in Eighteenth-Century Europe
