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How To Use Charlie parker In A Sentence

  • So you see, "gone" in beatnik slang means "really good" as in, "that Charlie Parker is one gone cat". "Dig It! Give Me Two Slices!"
  • When bebop emerged, Evans blended its busy lines and advanced progressions with Thornhill's meditative approach, writing engaging arrangements of bop standards such as altoist Charlie Parker's "Anthropology" and "Yardbird Suite. Hidden in Plain Hearing
  • (Soundbite of music) WAS: In the beginning, though, it was Miles the bebopper who burst on the scene, stringing rat-a-tat fusillades over furious tempos, a style he picked up from saxophonist and bandmate Charlie Parker. Unpack This: 70 CDs Of Miles Davis
  • Our jazz musician portrait artist expert discusses painting Charlie Parker in this free instructional art video.
  • Charlie Parker may have pioneered bebop jazz, but Miles Davis helped him to establish it.
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  • me: I think the way that Charlie Parker "converses" makes him the life of the party. NPR Topics: News
  • I mean for a blod named after Charlie Parker there's not enough Suzuki in here. Seminal Image Friday #2: Frames Within the Frame (Part Two)
  • Like Bird, his beautiful biopic of Charlie Parker; White Hunter, Black Heart, his thinly veiled biopic of John Huston; the emotionally draining A Perfect World; and The Outlaw Josey Wales, which demonstrated an interest in deconstructing the genre that made him famous, the Western, way before Unforgiven. Warner Bros goes ahead and makes your day with a Clint Eastwood box set | EW.com
  • * Of course, the beatnik is not actually calling Charlie Parker a cat. "Dig It! Give Me Two Slices!"
  • As the trad boom took off, a schism developed between fans who maintained the ‘traditional’ style of New Orleans music was the only true jazz and modern fans inspired by Charlie Parker's bebop.
  • Armstrong's scat singing also influenced the singing technique of bebop innovator Dizzy Gillespie, who first began recording bebop in 1944 with saxophonist Charlie Parker.
  • This is not only my tribute to the late, great Charlie Parker (1921-1955), but also to some of the legends who have left us, yet left a great legacy of music behind with us to enjoy.
  • His tone tended to be hard and harsh and lacked the varied coloration of the bop innovator Charlie Parker.
  • You can't compare Charlie Parker with John Coltrane. They were completely different musicians.
  • Billie Holiday, Bessie Smith, Charlie Parker: all had to struggle against handicaps to become successful artists.
  • I've heard guys in New York who sound just like Charlie Parker, but it's like a scratchy record of Parker.
  • Woods, a self confessed ‘old bebopper’, was deeply in thrall to the work of Charlie Parker, but the ERM's remit included nods to the emergent avant garde.
  • Splicing the huge sound and harmonic subtlety of swing-era tenorist Coleman Hawkins to Lester Young's lyrical looseness and Charlie Parker's momentum, Rollins offered a new agenda for the tenor saxophone. Sonny Rollins records Saxophone Colossus
  • Charlie Parker may have pioneered bebop jazz, but Miles Davis helped him to establish it.
  • Similar in ambition is "Constellation," a cut that initially appeared on the horribly named Bird Up Charlie Parker tribute album that was released 2003.
  • Louis Armstrong was vocal about his dislike of the bebop innovations of Charlie Parker and Dizzy Gillespie.
  • Charlie Parker expanded the vocabulary of jazz.
  • During this time he has played bebop with Charlie Parker, free jazz with Ornette Coleman and Jimmy Giuffre, and fusion with Pat Metheny and Jaco Pastorius.

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