How To Use Champleve In A Sentence
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As we entered, I could not help being impressed by the wealth of articles in beautiful cloisonne enamel, in mother-of-pearl, lacquer, and champleve.
The War Terror
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The Mosan workshops were notable for their ivories, superlative champlevé enamel, often with sophisticated typological iconography, and cast and embossed metalwork.
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About half the applied decoration is champlevé enamel and a further third tinning, a thin coating of a tin-rich alloy covering some or all of the brooch's surface (often erroneously described as silvering).
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In order to master this living material requiring extremely delicate handling, Piaget has used the famous technique of champlevé enamelling.
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In addition, the decoration incorporates translucent, opaque, guilloche, and champleve enamels as well as a garland of cast-gold and enameled flowers.
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About half the applied decoration is champlevé enamel and a further third tinning, a thin coating of a tin-rich alloy covering some or all of the brooch's surface (often erroneously described as silvering).
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The incursions of invading peoples drove the Celtic enamellers westwards to Ireland, where the art of champlevé enamelling enjoyed a late flowering.
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More recently, champlevé was achieved by acid etching into the metal.
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Some of the earliest examples of champlevé come from the Celtic period.
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The champleve enamel differs from the cloisonné by the small cells intended to receive the enamel not being made in the Byzantine fashion by means of strips of flat gold wire soldered to the gold plate, but by being dug out of the plate with a burin.
The Catholic Encyclopedia, Volume 10: Mass Music-Newman
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The miniature is framed by a row of thirty large rose-cut diamonds and surrounded by a design of vine scrolls and bunches of grapes in cobalt blue champleve enamel.
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The altar-frontal at Pistoja belongs to about the same period, and a little later comes the reliquary made by the brothers Arezzo, while during the whole of the fourteenth and fifteenth centuries the enamellers were kept hard at work in Italy producing objects intended for Church work in two or three distinct processes, either that called champleve, or another method, that of floating transparent enamels, known by the name of bassetaille, or still another process called encrusting.
The Catholic Encyclopedia, Volume 5: Diocese-Fathers of Mercy
