How To Use Caravaggio In A Sentence
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In using the work of Caravaggio, I show how he, in his Baroque manner, used diagonals and foreshortening to bring viewers into the picture plane and engaged us visually by leading us in and around the lights and darks.
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Anyhow, there's some Aristotle and Plato I want to read-a textbook on tenebrism I need to get through for my Caravaggio class.
Corpus of a Siam Mosquito
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With his famous Lute Player, one of the highlights of the Städel's exhibition, Caravaggio had created the incunabulum of Baroque portraiture of musicians, a work enthusiastically received by his successors.
Art Knowledge News
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His book is essentially a reheated, less assured version of Helen Langdon's meticulous cultural history, "Caravaggio" 1998, which remains by far the best—and best produced—biography of the artist.
The Misery Memoirist
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The show will revolve around Caravaggio's famous Lute Player, an incunabulum of Baroque portraiture of musicians.
Art Knowledge News
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Caravaggio pioneered the Baroque painting technique known as chiaroscuro, in which light and shadow are sharply contrasted and the discovery of his remains comes just days after a six month exhibition marking his death ended in Rome.
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For one, to modern eyes his successors' pictures often pale by comparison to Caravaggio's, interesting though they are in an art-historical kind of way.
A Pathbreaker, Imitated Yet Unsurpassed
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For painters, naturalism was the greatest signifier of mortality, and Caravaggio was the greatest naturalist.
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Caravaggio pioneered the Baroque painting technique of contrasting light and dark known as chiaroscuro but was famous for his wild lifestyle - he is said to have killed a man in a brawl and fled Rome.
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In the end, for all we have learned about his art, Caravaggio the artist and Caravaggio the man remain indivisible.
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From there, he would bring back postcards, sedulously and with obvious pleasure gleaned from their racks in various museums and churches at 10 to 20 lire each: Caravaggios, Bellinis, Michelangelos.
The Forever City
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Ms Lapucci, who teaches at the prestigious Studio Art Centres International in the Tuscan capital, says Caravaggio worked in a "darkroom" and illuminated his models through a hole in the ceiling.
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In the armoury is the very suit painted by Caravaggio, by the side of the armour of the noble old La Valette, whose heroism saved his island from the efforts of Mustapha and Dragut, and an army quite as fierce and numerous as that which was baffled before
Notes of a Journey From Cornhill to Grand Cairo
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Caravaggio with his tenebrism (dramatic shading, where 3D games begin to take off with better shading and lighting) really began to bring things to life.
Doggdot.us
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The Städel Museum's exhibition differs from past projects by emphatically focusing on the portraiture of musicians and brothel scenes and by directly confronting works by Caravaggio with paintings by the Utrecht artists Terbrugghen, Honthorst, and Baburen.
Art Knowledge News
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Caravaggio returns to the half-length format of his early genre scenes, but all naturalistic bravura and illusionistic detail are gone.
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After the work in Rome is done, a team of about 10 will travel around Italy, scanning Caravaggio's works, for the research center set to open this fall in the northern town that gave Michelangelo Merisi his byname, Caravaggio.
The Art of Replicating Masterpieces
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Mr. Graham-Dixon treats Fermo's death as a Freudian primal scene: The art of Caravaggio's maturity would be saturated in the ineradicable memory of night terrors.
The Misery Memoirist
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Among all of Caravaggio's self-reflexive images, none captures the elision from specularity to spectatorship more dynamically than the disembodied head of the Medusa.
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From the Colonna estates Caravaggio continued south to Naples, where he waited for a papal pardon.
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Brian sees the world in black and white, and Caravaggio painted in lights and darks.
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Caravaggio's potent illusionism is challenged by the astonishing construction of the painting, a slow swirl of forms that press outward from the composition's depths, a loop of light against bottomless darkness described by Saul's open arms and the horse's curved back, blocked by the "fence" of legs across the center of the picture, where human and equine limbs interlace with thundering intensity.
A Transfiguring Moment
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Today we venerate Caravaggio as the master of chiaroscuro effects of light and shade, of saints with dirty feet, of dramatic religious encounters, as the painter of figures of epicene sexuality.
Return to the Grim and Dark
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Caravaggio's bones found in Italian crypt after 400 years
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He has the look of one of Caravaggio's young male models, though without their coquetry.
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Instead of idealized Madonnas, bambini and saints, Caravaggio painted street people with dirty feet and nails.
A Pathbreaker, Imitated Yet Unsurpassed
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Caravaggio's version of the scene is a masterpiece of economy, the transfiguring moment described in Acts embodied solely by Saul, his mount, and a half-concealed elderly groom, the trio tightly packed into the available space.
A Transfiguring Moment
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love it. very reminiscent of caravaggio's tenebrism effect
Jehad Nga
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Terbrugghen, Honthorst, and Baburen had actually worked in Rome for about ten years, dedicating themselves to the art of Caravaggio and related painters.
Art Knowledge News
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Judging by these participatory self-portraits, Caravaggio shows himself intensely curious about history and society, prepared to rubberneck on our behalf and report back what he sees.
The Misery Memoirist
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Baschenis' paintings have the spareness and dramatic lighting of Caravaggio's, but in his still lifes, the lutes, archlutes, violins, guitars, and cellos usually appear without human accompaniment.
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Standing by the Christmas tree was Caravaggio's Young Bacchus, his hair festooned with vine leaves and grapes.
RESCUING ROSE
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Derek Jarman's Caravaggio presents itself as a loose, poeticized biography of the famed Baroque painter Michelangelo de Caravaggio, but in fact Jarman appears to be using his subject as a gateway into ruminations on art, love, violence and religion.
Caravaggio
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The only painting of his to change hands in recent years was a Nativity, stolen in 1969 from a church in Palermo - where Caravaggio had painted it after having escaped from gaol in Malta.
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Dr. Curtis recently used a $1.99 application, ColorSplash, which removes or adds color to pictures, to demonstrate the importance of color in a Caravaggio painting in his seminar on Baroque art.
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In other words, Caravaggio died because of his artistic success as a naturalist.
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Caravaggio worked in a "darkroom" and illuminated his models through a hole in the ceiling, said Lapucci, who teaches at the prestigious Studio Art Centers International in the Tuscan capital.
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He also ventured that Caravaggio suffered from saturnism, or lead poisoning, which may have accounted for some of the artist's irrational behavior.
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Sandrart's story of Caravaggio's death is easily interpreted as an apologue rather than as biography because there is so little ground to confuse moral and factual truths.
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Everyone is afraid that there's going to be a test and they'll need to know that Pablo Picasso's father bore a strong resemblance to Edgar Degas, that Nicolas Poussin despised Caravaggio, that the third centurion to the left in the Rembrandt crucifixion scene was a dead ringer for Ignaas van der Hoeven, a baker who once stiffed the artist out of 50 guilder.
Three Tips for Surviving the Art Museum
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He painted religious tableaux, like all those Renaissance painters who'd gone before him; but to my mind Caravaggio's take on these conventionalities is essentially Modern.
A Wee Happy Glow
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Caravaggio's tenebrism was dangerous and subversive.
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Caravaggio's trademark "chiaroscuro" - dramatic dark-light contrasts - and revolutionary use of realism are explored at the Scuderie del Quirinale, an exhibition space created from former stables of Italy's presidential palace.
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The aims of Quoting Caravaggio are ambitious and laudable, and Mieke Bal's formula for a contemporary baroque is intriguing.
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Derek Jarman opens his claustrophobic, skyless Caravaggio with the feverish artist on his shadowy deathbed.
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Our entire sense of Caravaggio as a modern artist is, according to historians, a fiction.
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Sometimes this effect is called “tenebrism,” especially in association with 17th Century followers of Caravaggio in Spain and Italy.
Chiaroscuro
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In Caravaggio's supremely moving work, Ecce Homo (Palazzo Bianco, Genoa), Christ, drooping over His corded hands, submits to cruel ribaldry.
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If Caravaggio were alive today, he would have loved the cinema; his paintings have a cinematic quality.
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Caravaggio painted in Rome most of his life although his work was largely rejected at the time on the grounds of "indecorum," according to many biographers.
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The powerful Colonna family, whose antecedents included Pope Martin V, had become titular rulers of Caravaggio's native Duchy of Milan, and showed a solicitous concern for his welfare on several occasions.
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A typical 'scandal' of this kind flared up round Caravaggio(1571-1610), a very bold and revolutionary Italian artist, who worked round about 1600.
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The enforced gloom, a stagey attempt to copy the drama of Caravaggio's chiaroscuro, lessens the impact of the pictures themselves when seen in clear light.
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Caravaggio revolutionized Baroque painting with a technique called tenebrism.
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From a few steps back the images, like Caravaggio, seem somewhat clear and tight; with your nose in the painting, the fluid painterly qualities come to the fore.
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The exhausted nurse, Hana; the maimed thief, Caravaggio; the wary sapper, Kip: each is haunted by the riddle of the English patient, the nameless, burn victim who lies in an upstairs room and whose memories of passion, betrayal, and rescue illuminate this book like flashes of heat lightning.
The English Patient « Books « Literacy News
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Then he saw the light - in the form of Caravaggio's dramatic chiaroscuro - and became one of that master's most resourceful followers.
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Venetian painters had pioneered the poetic narrative scene involving two or three half-length figures, but in the "Gypsy Fortune-Teller" and the "Cardsharps" both 1595, Caravaggio gave the genre a streamlined, streetwise spin—Mr. Graham-Dixon calls it "low-life drama.
The Misery Memoirist
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Also featured are Caravaggio's Nativity with San Lorenzo and San Francisco, Cezanne's View of Auvers-sur-Oise and Da Vinci's Madonna of the Yarnwinder.
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Another aspect of Caravaggio's past persists in ‘The Young St John’ in the Borghese Gallery: a petulant urchin, speckled with sun-rash, and with an effeminate moue on his face as a ram curves and stretches against his pliant body.
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Lot and His Daughters betrays the influence of Caravaggio in the heavy chiaroscuro light effects and the deftly modelled figures.
