How To Use Bertolt brecht In A Sentence

Yet One Touch of Venus shows that the experiences of working with radical dramatists, including socialist playwright Bertolt Brecht in The Threepenny Opera, clearly left their mark on him.
GROSS: So this is Theo Bleckmann from his latest CD, "Berlin: Songs of Love and War, Peace and Exile" (Soundbite of song, "Als ich dich in meinem Lieb trug") Mr. BLECKMANN: (Singing in German) GROSS: That's singer Theo Bleckmann, from his CD "Berlin," and the song we just heard was written by Hanns Eisler and Bertolt Brecht. Composer Theo Bleckmann Dwells In Possibility
After many vicissitudes, the brothers Mann and their ill-assorted wives, Katia and Nelly, ended up in Los Angeles with Aldous Huxley and Bertolt Brecht. House of Exile by Evelyn Juers – review
Brecht acknowledges as much when he rather bluntly insists, against Eisler's alleged murmuring about the poems 'mere occasionality or jottedness, on the Hollywoodelegien's compressed monumentality and gravitas: "these are full-scale poems" and "in fact the compositions are probably really important as music too" (Bertolt Brecht Journals 238) .24 Intervention & Commitment Forever!: Shelley in 1819, Shelley in Brecht, Shelley in Adorno, Shelley in Benjamin
Also notable is the dramatic rendition of ‘The Ballad of Marie Sanders,’ one of several Bertolt Brecht / Hans Eisler compositions that Hille regularly performs.

GROSS: So this is Theo Bleckmann from his latest CD, "Berlin: Songs of Love and War, Peace and Exile" (Soundbite of song, "Als ich dich in meinem Lieb trug") Mr. BLECKMANN: (Singing in German) GROSS: That's singer Theo Bleckmann, from his CD "Berlin," and the song we just heard was written by Hanns Eisler and Bertolt Brecht. Composer Theo Bleckmann Dwells In Possibility
The story was dramatized by German playwright Bertolt Brecht in 1930.
The German dramatist and theoretician Bertolt Brecht was wrong about many things, but not about this sort of problem.
From the early 1920s, the ‘New Realism’ of Grosz, Otto Dix, and Christian Schad expressed a trenchant social criticism comparable with the plays of Bertolt Brecht.
Displayed on a wall of the small guardhouse was a saying of Bertolt Brecht.
It has been pointed out to me that the lyric quoted at the top of this page has been misattributed to The Doors, when in fact it is from a song written by Kurt Weill - Bertolt Brecht's song-writing alter-ego.