How To Use Amphibrach In A Sentence

Nor does he discuss another dialectic, between the Scherzo's anapestic and amphibrach crotchet groups, sublated after the Trio in that startling alla breve succession of equal minims; nor the hunting topos of the Trio.
Common metrical patterns in both poetry and music are iambic, trochaic, dactylic, amphibrachic, anapaestic, spondaic, and tribrachic.
Outside the limerick form, amphibrachs used to be quite rare in English language verse.
I could of course say that it was an iamb followed by an amphibrach; honestly, I'm not assuming very much at all about how these metrical forms are represented.
With a polished iamb, trochee, dactyl, amphibrach and anapest. Archive 2009-06-01

Only a short time ago, such a call would have been greeted with bewildered questions about what exactly anapests, sapphics, trochees, cretics, dactyls, amphibrachs (my favorite), and alcaics were.
Yet trochees are actually in a minority here: the first and third line of each stanza is composed of a trochee and two iambs, while the second and fourth are composed of a trochee and an amphibrach.
It seemed the answer was not strict anapests or dactyls or even amphibrachs but a looser sense of the line altogether, with room to gallop and stop short at will.
Sometimes, to relieve the monotony, she threw in a four-, six- or even seven-foot line, and her ‘dactyls’ are often amphibrachs or anapaests.
Classical prosody distinguished several other feet, some of which are occasionally mentioned in treatises on English verse: amphibrach ◡ _ ◡, tribrach ◡ ◡ ◡, pyrrhic ◡ ◡, paeon _ ◡ ◡ ◡, choriamb _ ◡ ◡ _. The Principles of English Versification
With a polished iamb, trochee, dactyl, amphibrach and anapest. Archive 2009-06-01